Yellowstone, the wildly popular drama series on Paramount Network, has been catching viewer’s eyes and ears with its striking soundtrack. The music in Yellowstone is heavily influenced by Game of Thrones’ musical style.
Game of Thrones, one of the biggest television events in modern history captivated audiences worldwide from its inception to finale across eight epic seasons, set a standard when it comes to music composition and scoring featuring orchestration that utilized medieval inflections powerfully mixed with contemporary elements.
Music composers Brian Tyler and Breton Vivian did an exceptional job crafting memorable themes that helped create a captivating atmosphere for each scene featured throughout ‘Yellowstone.’
So why does Yellowstone sound like Game Of Thrones? Here are some key reasons:
1. Both Shows Share Similar Epic Narrative:
With British nobility having clearly inspired George R.R Martin while penning down his books from which the iconic TV series Game Of Thrones was adapted; both shows illustrate sweeping family sagas full of political intrigue, clan alliances, betrayal and battles for power – painting larger-than-life pictures that span landscapes ranging between ruggedly beautiful mountainscapes or vast deserts.
Similarly, ‘Yellowstone,’ created by Taylor Sheridan (and starring Kevin Costner), tells the story of John Dutton – patriarchal owner of America’s largest ranch who must protect his land against various threats whilst keeping his family intact. These two shows share numerous thematic similarities—a sense of grandeur and scope any Western-style show ought to employ.
2. Both Shows Utilize Celtic Instruments And Vocals
The use of middle eastern instruments such as dumbeks side-by-side with a Scottish drum known as bodhran typifies GOT’s modulation technique—something what Yellowstone much likes incorporating into their score as well through dynamic cello swells joined silvery synthesizers harmoniously aided vocals yearning just beneath thundering drums —creating moments better described to be more intensely emotional than melodramatic also comparable to GoT.
3. Both Shows Have A Strong Emphasis on Percussion:
When it comes to building tension, percussion is one of the most versatile instruments around. The use of drums and percussion plays a significant role in both ‘Game of Thrones’ and ‘Yellowstone.’ It’s undoubtedly among the musical elements that help intensify the often violent scenes depicted aloft.
In Game of Thrones’ iconic Battle of Winterfell sequence, Ramin Djawdi’s score utilized taiko drums accompanied by other hitting percussive instruments to resonate with today’s younger audience as much as Yellowstone earned praises for its evocative uses from snare rolls to bell clappers—alongside full orchestral swells behind ticking high-pitch synthesized arpeggios —these two shows recognize drumming can produce an all-powerful effect.
4. Flying Solo amid chaos
Just as “The Light Of The Seven” was written for GOT episode “The Winds Of Winter” becoming one of the most iconic pieces tied ever created featuring piano arrangement backed by strings alongside choral support produced an eerily sound alike a precursor indicating something more ominous ahead; similarly contemporaneously acclaimed composer Tyler crafted music portraying cellists going solo ultimately symbolized when John Dutton finally faced his destiny, signifying personal resilience amidst dealing with life-shattering moments unique to him alone.
5. Both Shows Share A Similar Approach:
Composers Brian Tyler & Breton Vivian are professionals at making unforgettable themes that transport viewers into landscapes occupied by each show.
Both scores constructed complex melodies infused within themes inspired by their respective environments – contributing heavily as part of each plot’s grandeur while retaining importance on their own merit just like distinct parts impacting collective harmony itself ie ‘Game Of Thrones’ unmistakable track immediately recognized through those seven title openings representing history evolving during each season whereas ‘Yellowstone,’ features notes you cannot forget long after having heard them.
Overall speaking blending styles across genres remains at the core of making melodies that stick with audiences long after an episode has ended. With so many similarities shared, it is no surprise why Yellowstone’s captivating music sounds a lot like Game of Thrones’ iconic score. In conclusion, regardless if you are in Westeros or on Dutton ranch – fantasy and western dramas still manage to capture viewers through conducting unforgettable musical themes throughout their series.
Yellowstone, the wildly popular drama series on Paramount Network, has been catching viewer’s eyes and ears with its striking soundtrack. It comes as no surprise that the music in Yellowstone is heavily influenced by Game of Thrones’ musical style. Both shows share similar epic narratives, em>utilize Celtic instruments and vocals, have a strong emphasis on percussion, utilize solo pieces during chaotic moments and share a similar approach to musical composition.
Game of Thrones set an almost unattainable standard when it came to music composition and scoring featuring orchestration that utilized medieval inflections powerfully mixed with contemporary elements. Music composers Brian Tyler and Breton Vivian did an exceptional job crafting memorable themes that helped create a captivating atmosphere for each scene featured throughout ‘Yellowstone.’ The score includes everything from dynamic cello swells joined silvery synthesizers harmoniously aided by vocals yearning just beneath thundering drums.
One evident similarity between both shows is their epic narrative storytelling centered around sweeping family sagas full of political intrigue, clan alliances, betrayal and battles for power—painting larger-than-life pictures across ruggedly beautiful mountainscapes or vast deserts. Similarly, ‘Yellowstone,’ created by Taylor Sheridan (and starring Kevin Costner), tells the story of John Dutton – patriarchal owner of America’s largest ranch who must protect his land against various threats whilst keeping his family intact.
Another similarity shared between GOT & YellowStone are their utilization of middle eastern & Scottish instruments such as dumbeks side-by-side with bodhran typifies modulation technique incorporating dynamic cello swells alongside synchronized bells decorated behind ticking synth patches akin to everything conjunctively building into emotion-filled climaxes – creating moments better described as intensely emotional than melodramatic showing just how well composed both scores truly are.
Furthermore drumming plays a significance role in iconography music making even resulted through soundtracks cut out entirely can relay scenes convoluted ambience solely conveyed via silenced snares or thumping low toms in-between hiatus moments full of tension and drama just as effective as watching the violent action depicted amid intense storyline twists.
The approach which both shows share emphasizes building unforgettable musical themes influenced by the environment featuring complex melodies constructed within a grand scope that retains importance on their own merit. Both series portray their respective environments – contributing heavily to each engagement value whole, especially when it comes to theme fare used during season openings/themes throughout episodes/seasons. Overall, blending styles across genres remains at the core of making captivating music inspired by resonating TV dramas that stick long after episode concludes reminiscent of what GOT arguably achieved scaling compositional heights thus far unmatched displaying resultant cultural impact alongside acclaimed stagecraft which we all can learn from showcasing even western dramas mimic story arcs with brilliant musical score techniques producing timeless soundtracks for our modern age made eternal through time immemorial.