Cubism is a revolutionary art style that emerged in the early 20th century. It was characterized by its fragmented, geometric shapes and dissection of form. The founding of cubism is often attributed to two artists, Pablo Picasso and Georges Braque.
The origins of cubism can be traced back to the late 19th century when various artistic movements began questioning traditional methods of representation. Artists like Vincent van Gogh and Paul Cézanne started experimenting with painting from different perspectives and challenging the conventions of realistic representations.
Pablo Picasso was born in Málaga, Spain, in 1881. In his early years as an artist, he experimented with a multitude of styles such as realism, symbolism, and even a period known as his “blue period.” During this time, his work primarily focused on melancholic themes painted predominantly in hues of blue.
However, it wasn’t until Picasso moved to Paris in the early 1900s that he would meet French painter Georges Braque. Together they developed Cubism – an art movement that changed Western art history forever.
Georges Braque was born in Normandy, France, in 1882. Like Picasso – he explored many styles before co-founding Cubism; however one could argue that it was through their collaboration together that Cubism took shape into what we now know today.
Their individual styles were brought together due to their shared fascination with space perception: they sought innovation by elevating geometric forms while rejecting classical illusions created using light/shadow or chiaroscuro techniques often found within academic traditions (which dated back centuries by then). Instead – they aimed for something new based on abstraction which served to break down visual assumptions about objects themselves- namely how we view them when arranged against each other within space so our eyes naturally follow lines/planes rather than seeing whole subjects or figures all at once!
Picasso’s influences included African masks – which inspired him to create “Les Demoiselles d’Avignon,” a painting that marked the beginning of cubism. The painting depicts five women, their bodies dissected into geometric shapes – a landmark moment in art history as it made the decision to ignore naturalistic depictions of nude females for distorted lines and angles.
Braque also pursued abstraction during his free time while stationed along France’s Eastern Front in World War I. Together, Picasso and Braque would work towards developing analytical cubism where whole subjects were being broken down into dashed outlines representing both object and negative space.
Their collaborative efforts took off quickly – resulting in a radical shift within art circles; with many artists embracing these changes such as the Italians Futurists who embraced Cubism’s energy which focused on movement rather than rigid compositional structure like landscapes or still life paintings. It was soon realized that not only landscapes but all forms of representation could be deconstructed using this revolutionary technique.
To summarize: Picasso’s range of stylistic influences converged when he met Georges Braque and together played off each other’s artistic curiosities at an (arguably) unparalleled level. Their collaboration ultimately led to co-founding Cubism- one of the most innovative movements within Modern Art- which aimed for something entirely new based on abstract properties working beyond traditional academic formulas yet dependent upon curiosity concerning objects themselves when viewed within space!
Cubism is a revolutionary art style that emerged in the early 20th century, characterized by its fragmented, geometric shapes and dissection of form. The founding of cubism is often attributed to two artists, Pablo Picasso and Georges Braque. However, the origins of cubism can be traced back to the late 19th century when various artistic movements began questioning traditional methods of representation.
Artists like Vincent van Gogh and Paul Cézanne started experimenting with painting from different perspectives and challenging the conventions of realistic representations. These influences ultimately converged for Picasso when he met Georges Braque while living in Paris during his “blue period.” Together they would develop Cubism – an art movement that changed Western art history forever.
Braque’s interest in abstraction followed suit with his time stationed along France’s Eastern Front during World War I. Working together, Picasso and Braque developed analytical cubism where whole subjects were broken down into dashed outlines representing both object and negative space.
Their collaboration quickly took off resulting in a radical shift within art circles. Many artists embraced these changes such as the Italian futurists who embraced Cubism’s energy focused on movement rather than rigid compositional structure like landscapes or still life paintings.
The significance of Cubism lay not only on its contribution to breaking away from academic traditions but also on how it inspired other sectors – commercial illustration/special effects applications/interior design textiles- all hinting at new-era innovation via concept development mechanisms (i.e., cross-applying spatial theory across multiple domains).
In summary: The collaborative efforts between Pablo Picasso & George Braque created analytical-cubist properties designed based around curiosity & reshaping perception using abstractions beyond academic conventions among many contemporary techniques globally today!